Student Testimonials

Camille Dizon '22

“My time with Bossov Ballet Theater was a period of extreme growth. I was pushed to advance physically with my dancing, encouraged and strengthened by Natalya to grow as an artist and as an individual. Every hour of work was worth it when it came to dancing under Natalya, and seeking to fulfill her artistic and technical visions was a labor of love. The BBT summer intensives and my time at MCI taught me to be independent, hardworking, and truly be passionate about everything that I do. Even though I no longer dance at the same level of intensity that I did when I was with Bossov, I still hold with me a certain level of discipline and care for my dancing that I was taught there, and will forever be grateful for.”

Eva Walden, Class of 2019

“When searching for ballet programs across the East Coast, my parents found an ad for Bossov Ballet Theatre in a magazine. They appreciated Bossov’s attention to the vaganova technique, and so I attended a summer intensive to see if it was the right place. After my first day there, it was a definite yes, and my whole family moved a few weeks later.”

“Now, ten years later, I am a company member with Portland Ballet. I hold so much gratitude for my training at Bossov, and for my teacher Natalya Getman. Natalya’s teaching is unlike any teacher I have ever had. Her attention to detail and pure love for the art form is so valuable and is what makes Bossov Ballet Theatre stand out. Even now, being in a company, I still carry all of the corrections and words of wisdom she provided for me. I would not be the same dancer I am today if it was not for this program and for Natalya. Bossov Ballet Theatre will always hold a special place in my heart.”

Noah Speed, Class of 2024

“Bossov Ballet has equipped me with the tools to pursue a successful career in dance. The rigorous and comprehensive instruction I received there honed my technical skills and deepened my understanding of dance as an art form. Each class, performance, and rehearsal contributed to my growth, making me a stronger and more versatile dancer. Beyond technical training, Natalya Getman has been instrumental in shaping me as an individual. Her mentorship extended beyond the studio, teaching me resilience, self-discipline, and dedication. The most valuable lesson I learned from her is to follow your heart and work hard, believing that everything will fall into place. Her guidance has been a cornerstone in my development as an aspiring professional, helping me navigate the complexities of the dance world. Natalya’s confidence and unwavering support have instilled a profound sense of purpose in my dance career. I am truly blessed to have had the opportunity to learn from her, and her impact on my life is something I will cherish forever.”

 

María Dominguez O’Farrill, Class of 2024 (PG)

"In June 2021, I had the great privilege of visiting Pittsfield, Maine, for the first time. This experience allowed me to take part in the BBT’s production of “Don Quixote”. It was during this time that I first engaged in pre-professional training and discovered my true love for dance. That summer, I made a sincere promise to return to Maine one day to dance again."

"Natalya Getman, the artistic director, is not merely an exceptional master of the Vaganova technique; she embodies inspiration herself. With her strong dedication to both technical and artistic excellence, Ms. Getman motivates us every day to reach our highest potential while celebrating our unique qualities. At Bossov Ballet Theatre, students are not just trained to be excellent dancers; they are developed into complete artists."

"We explore the details of our bodies, pushing their limits while embracing creativity, musicality, and stage presence. Every effort made at BBT has a significant impact on ourselves and those around us. Ultimately, BBT is a close-knit family united by a shared passion for dance."

"Arriving in Maine was a pivotal moment for me, as I set out to fully dedicate myself to dance for an entire year. At Maine Central Institute (MCI), I was welcomed into the prestigious class of 2024, where I had the freedom to choose my classes. This unique opportunity allowed me to explore my academic potential while focusing on my passion for dance."

"MCI is not just a school; it's a nurturing community filled with dedicated teachers and staff who inspire us in our academic, artistic, athletic, and social endeavors. Living in the dormitories was a transformative experience. Surrounded by “sisters” from various corners of the globe and supported by a caring dorm mother, I felt a sense of belonging that was truly special. This experience marked my first taste of independence. I learned to set my own standards and boundaries while embracing responsibility. Yet, I always knew I had a support network cheering me on, eager to see me thrive in my personal journey."

"MCI is so much more than just a school; it feels like a family where friendships grow and connections become deep. The bonds I’ve formed with the day students have added so much joy to my life. Each friendship is like a special thread in the fabric of my experience, creating beautiful memories that I will hold close forever."

"One of the most heartwarming experiences came when I was welcomed into “the Weaver family” for Thanksgiving break. They embraced me without hesitation, making me feel loved and included during a holiday that isn’t traditionally celebrated in my own country. Their warmth and generosity transformed what could have been a lonely time into a joyful celebration filled with laughter and gratitude."

"Pittsfield, Maine, has truly become my second home. The classmates, teachers, and families I’ve met here mean the world to me. I take pride in calling myself an MCI alumni, knowing that this wonderful community has played a significant role in shaping who I am today."

"Lastly I want to express my heartfelt gratitude to Ms. Natalya German, Guillermo Franco, and the entire MCI academic office. Their unwavering support and guidance made it possible for me to have this incredible experience.”

Hector Webster-Bligh, Class of 2022

 

“The Bossov Ballet Theatre, and by extension Natalya, proved to be far more helpful to me than I had ever thought possible while I was attending the school. During my time at Bossov, the main things on my mind were the early and long morning classes, rigorous schoolwork as an MCI student, the evening nutcracker rehearsals that seem to never end, and other stressors related to being a student and dancer. However, the main things that I remember now are the incredible friends I made from all over the world, the high level
of dancing that I achieved by working with Natalya, and the sense of community I felt, and continue to feel, at Bossov and MCI. The independence I gained from being at MCI has been invaluable in my transition to university, and the lessons of etiquette, hard work, and commitment to a craft that I learned in the ballet studio translate seamlessly to my studies and life as a full time student.”

“One of the things that I appreciate most about Natalya is her outstanding care for each individual that passes by her, both through the program and in regular everyday life. She remembers all of her students’ names, stories, and even specific ballet corrections years after they graduate, and the assiduity that she gives to every one of her students can make it feel as though it’s a private one-to-one class. Natalya strikes the perfect balance of rigid professionalism and warm personal connection to foster a deep bond with her students
that goes far beyond a ballet instructor.”

Taylor Pronovost, Class of 2022

“I am incredibly grateful for the time I spent in high school and countless summers with Natalya Getman and Bossov Ballet Theatre. This program is truly special, offering its students not only high-quality ballet training but a strong foundation for success in any field, whether in dance or beyond.

Natalya Getman is an extraordinary teacher and role model. For many of us, she became like a second mother, providing guidance that extended beyond dance, and supporting us throughout our high school journeys. Natalya dedicated herself to helping us become not only exceptional dancers but also outstanding individuals. I carry many lessons from her, such as the importance of hard work and being present in every moment.”

“Natalya’s experience and commitment to ballet are invaluable. Her keen attention to detail allows students to refine their technique, while her in-depth explanations foster a deeper understanding of each movement. Along with other faculty members like Guillermo Franco, she emphasizes artistic development, encouraging us to grow as artists. During the summers, we had the incredible opportunity to perform full-length ballets, where we could truly hone our artistry. I hold these summers very highly and cannot emphasize what a privilege it is for young dancers to have these opportunities.”

“Beyond ballet, the supportive community around me at Maine Central Institute had a great impact on my life. I had some amazing teachers and dorm parents who genuinely cared for their students. These individuals showed true support and a real interest in preparing students for the future. Perhaps one of the most amazing parts of MCI and Bossov for me were the long lasting friendships I made both with classmates from the town and those in the dormitories. Even almost three years after graduating, they are still some of my closest friends. The opportunity that Bossov and MCI offers dancers—exceptional ballet training alongside a traditional high school experience—is what sets this program apart. I am truly thankful for the time I spent here.”

Maxine Pallante, Class of 2024

“Natalya, the program, and the people of Bossov have all helped me grow into the person I am today. The intensity at which I was dancing, the amount of knowledge I was able to consume, retain, and apply, and Natalya herself are what make the program extremely unique. I learned how to manage my time well to keep on top of my studies, be an active member within the Pittsfield community, be independent, determined, hardworking, and become someone I am proud of. Natalya has taught me the importance of self-discipline, prioritization, memorization, and acceptance. I look back on these life lessons now in college, and I think of her corrections and wise words often, allowing them to guide how I conduct myself as a contributing member in society.”

“Natalya reconnected me with dance and allowed me to find that spark of passion again. She has helped me realize that although I may not be a professional dancer, I can use the disciplines from ballet to be a well-rounded person. I will continue to carry her words with me through life and I know I can always turn to her and my Bossov family if I ever need anything, because Bossov is more than just a ballet community, it is a family where we do our best to support one another and push each other to be the best possible versions of ourselves. I hope to one day give back even a fraction as much as Natalya was able to give me.”

Kokoha Goto, Class of 2024

“I spent four years as an international student at BBT and MCI, and my English was not very good when I arrived. However, Ms. Natalya used gestures and very easy to understand explanations, making both ballet
and English enjoyable for me to learn. Her guidance is full of kindness, love and is easy to follow, and she genuinely cares for all her students.
She gave me so much—not only in ballet, but also in manners, mental strength, expressiveness, and teamwork with my friends. Her classes helped me love ballet even more, and I am so grateful for the happy and
precious time I spent at BBT. I love her.”

Former BBT student and 2016 MCI graduate, Hannah Holtsclaw, is a principal dancer with Ballet Pensacola. Hannah first received an invitation to dance with Ballet Pensacola last spring following a special master class with the company’s Artistic Director, Richard Steinert, and officially joined the company in September as part of an experiential learning year with the University of Cincinnati – College Conservatory of Music (CCM) where she is a junior pursuing a BFA in Ballet. She will remain a full-time student with CCM while she begins her professional career as a principal dancer with Ballet Pensacola.

Hannah is grateful to Ballet Pensacola Artistic director, Richard Steinert, and ballet mistress, Christine Duhon, for giving her an opportunity to grow as a dancer and realize her potential as an artist. "Joining a professional ballet company has been my goal since I was twelve years old. When I received the offer to become a principal dancer with Ballet Pensacola, it was an unexpected and a very rewarding, validating moment in my life. It reaffirmed for me that the years of endless training were worth it and that I can be an accomplished artist in this craft. I am so fortunate to be dancing every day and making a life out of my supreme passion, while dancing alongside such talented and inspiring artists at Ballet Pensacola." "

Hannah expressed her excitement for this new stage of her career and credits her training at BBT for her growth into the mature artist she’s becoming. “Bossov Ballet at MCI gave me a balance of academics with rigorous training, which is what inspired me to pursue my degree. At 16 years old, Natalya Getman taught me the most important lesson, that performing on stage is a great privilege."

According to BBT Artistic Director and teacher of Hannah, Natalya Getman, to become a dancer you  have to go through a long process of training your body and mind to work in unison, “there are no "quick fixes" in ballet”. Getman also expressed that during Hannah's time at BBT, she always showed patience and dedication through her work. “That quality has helped Hannah to continuously move forward on her life path.... "

 

When José Porras first encountered ballet through musical theater in Mexico, he quickly realized his passion for the art form. After performing in productions like Peter Pan, Cats, and The Producers at Artestudio Performing Arts Center in Mexico City, he shifted his focus to ballet, leading him to BBT at MCI.

In 2017, José moved from Mexico City to central Maine to train under Artistic Director Natalya Getman. At BBT, he performed in Giselle, The Nutcracker, Cipollino, Swan Lake and Don Quixote, taking on challenging roles, including one that required him to play the violin while dancing.

"BBT’s training was rigorous, but I learned so much from Natalya and my fellow dancers," José recalls. His dedication and work ethic stood out to Getman, who describes him as “hardworking, determined, and an inspiration to younger dancers.”

Beyond ballet, José embraced MCI’s diverse international community, improving his English and experiencing Maine’s winters—something he eagerly anticipated despite coming from a warm climate.

After his time at BBT, José returned to Mexico to pursue a degree in Arts Management, while continuing to share his love for performing arts. His journey is a testament to passion, perseverance, and the transformative power of ballet.

 

“Home.” That’s how Hannah Folan described BBT when reflecting on her time at Maine Central Institute. “This is where I grew up and became a woman.” Like many BBT students, Hannah left home at 14 to train under Artistic Director Natalya Getman, while pursuing a full high school education.

At BBT, students experience the best of both worlds—rigorous Vaganova ballet training alongside a comprehensive academic education, including AP courses and extracurricular activities. Despite demanding schedules, BBT dancers are active in student organizations, sports, and community events, embracing the full high school experience.

 

 

"Ballet has taught me more than just technique—it has instilled in me dedication, resilience, and a true passion for artistry. At Bossov Ballet Theatre, I found not only world-class training but also a home."

Abi DeSchiffart’s journey in the arts began with music, but it was ballet that truly captured her heart. At age 14, she made the bold decision to leave home and join Bossov Ballet Theatre (BBT) at Maine Central Institute (MCI), dedicating herself to the rigorous training under Artistic Director Natalya Getman.

"The level of training at Bossov is unlike anything else. Natalya doesn’t just teach ballet—she teaches discipline, respect, and the importance of pushing yourself beyond limits. Her mentorship shaped me not only as a dancer but as a person."

Beyond ballet, Abi embraced MCI’s thriving arts community, participating in music, theater, and visual arts while balancing an intense ballet schedule. She found that BBT offered the best of both worlds—elite-level ballet training alongside a full academic high school experience.

"Being at MCI meant I wasn’t isolated in a conservatory setting. I had the opportunity to learn, grow, and engage in a real high school environment while pursuing my passion for dance."

Through thousands of hours in the studio, countless rehearsals, and performances, Abi discovered that ballet was more than movement—it was a way to express herself, to challenge herself, and to find a lifelong sense of belonging.

"At BBT, I found my closest friends and a community that understands the hard work and passion that goes into this art. The arts have changed my life, and I will always be grateful for the lessons I learned here."

 

For Felicity, ballet has always been more than just movement—it’s been a way of life.

"I started dancing when I was four years old because I loved to perform. At first, I took musical theatre and tap classes, but when I discovered ballet, I knew I had found something special."

Her training began at Ballet International in Indianapolis, and as she grew, so did her commitment. What started as a few classes a week quickly became daily training and intense rehearsals. Over the years, she has performed in The Nutcracker, Cinderella, Giselle, and many other classical ballets.

"Out of all the ballets I've performed, Giselle was one of my favorites. But no matter the role, every performance is the result of countless hours of hard work behind the scenes. Many people don’t realize the level of dedication and physical endurance that ballet requires—it’s mentally and physically demanding, but it’s also incredibly rewarding."

With a love for pirouettes and an unwavering passion for dance, Felicity always knew ballet was her path.

"I don’t think there was ever a specific moment when I realized I wanted to be a professional dancer—I just can’t imagine a life without dance."

 

 

 

For Errol, ballet wasn’t a childhood dream—it was something his mom made him try at age 11. But what started as a simple class quickly became a passion.

"I started at Maine State Ballet and trained there for two years before joining Bossov Ballet Theatre. Now, I dance 18-22 hours a week, sometimes up to four hours a day."

Since then, he has performed in The Nutcracker (Prince, Russian, Mouse, Party Child), Peter and the Wolf (Hunter), Paquita (Prince), and Le Corsaire (Pirate). He thrives in the energy of The Nutcracker and the power of Pas d’esclave from Le Corsaire.

"Ballet takes a lot of effort to make it look effortless. We rehearse for hours to create something that looks natural and fluid on stage."

His favorite movement to perform? The press lift—a true display of strength and artistry.

For Errol, ballet is about more than just technique.

"I love expressing myself through movement and sharing the love of ballet with others."

His advice for young men considering ballet?

"Go for it. It will open up opportunities you might not otherwise have."

 

 

For Aubrey, dance began at age four with a tap class, but it wasn’t until she discovered ballet at age seven that she found her true passion.

"I trained at North Alabama Dance Studio for seven years before moving and continuing my ballet training at Foothills Dance Conservatory and International Ballet Academy in South Carolina. Eventually, I made my way to Bossov Ballet Theatre, where I took my training to the next level."

Now, Aubrey dedicates 23-32 hours a week to ballet, performing leading roles such as Myrtha in Giselle, a soloist in Paquita, a big swan in Swan Lake, and multiple roles in The Nutcracker and Coppélia.

"Out of all the ballets I’ve performed, Giselle is my favorite—it’s an incredible experience to both dance and watch."

Her pre-show ritual? Marking her choreography on stage and listening to Hip-Hop/Rap strength training playlists to get in the zone.

While ballet is often admired for its beauty, Aubrey knows firsthand the dedication it demands.

"Unlike most sports, ballet is a year-round commitment—we only get about 9-10 weeks off a year. That really speaks for itself."

Her favorite part of dancing? Grand allegro—soaring across the stage in powerful, fluid jumps.

Aubrey knew she wanted to be a professional dancer at 13 years old, when multiple teachers pulled her aside to tell her she had natural talent and great potential. Her first step toward this dream? Attending a summer intensive at Bossov Ballet Theatre.

Her advice to aspiring dancers?

"If you’re thinking about starting ballet—just do it. It’s a beautiful art that fosters individuality and creativity while promoting physical and mental strength. But most importantly, listen to your body—your body is your instrument, and it deserves your respect."